リョウネンヌードビ... | Nov 15, 2011

You are a woman? why you watching this?

Got any Asian woman? Get board with that come on

This imagery is wonderful. But it would be more wonderful if the image didn't jerk around so much. I want my eyes to drink in the beauty, not choke on the shockwaves. If a Steadicam is too expensive, I find simply carrying the camera on a massive tripod that can be opened and set down now and then offers creative choice along with quality film.

What's with these white fades or blurs that go across the screen every so often? Also, the switching between color, bw and sepia without rhyme or reason? They seem like an attempt to be "artsy" but they don't really add anything so they come across as affectations. The music is nice, though.

Such a beautiful movie! What is the music? I like it very much.

This is the most beautiful movie I have seen at Hegre.

I, for one, love her smile in this film the most of all. Such a friendly smile!

I don't support switching to black and white just to be arty but in this case the bw photography, thru light and shade, delineated the shape Ryonen's body better then color did. Especially her mons, labia and cleft. So consequently I enjoyed the bw switches. I would have liked a closeup of her groin though as she was walking, as well as her breasts. The most startling beautiful point in the film for me was when she looked at the camera with her big beautiful eyes against the background of her spread out hair. I know a lot of members don't like naked men to be in films. I do because male nudity enhances feminine beauty by contrast. This was an ideal scenario to have a man watching Ryonen with his penis becoming gradually more erect as he becomes entranced by her beauty. An unconnected couple. Had to get a plug in for couple nudity!

The pace and movement of this film are both perfectly judged. She is just as she should be in every frame.

She is just right in this sort of setting. She has made her air of wistful dreaminess her trademark

Ryonen gets better all the time. I remember a gallery of her on the beach a while ago. In this film she is much more at ease.

I agree. Ryonen is finding herself. She moves so naturally and gracefully and that is not as easy as it looks.

Just like angels, Ryonen is not scared of heighs, precisely when Petter seems to be resolved to praise her to the skies. I hesitated to use another time the word “masterpiece” but it is inevitably applied to this magnificent movie, very well mastered and benefiting from great postproduction works. Bravo, Petter! With Ryonen, everything is going as if a rise of power occurred throughout the photos and the movies but every time reached its acme in the film alone. In “Nude Beach”, neither the black and white sequences (“the changing moods “ interpretation – Andrew Blake style – is relevant, but only in the first approach ) nor the fleeting overexposures nor the changes of rhythm nor the imperceptible slow motions nor even the music are only stylistic devices just used to please or astonish the audience. They are various expressions of one single phenomenon: Ryonen shakes the Matrix. By her very presence, the rules and the boundaries of time and space, of colors and light, are unsettled. So we can begin to see things as we had never seen them before; that’s why this movie is, in some respects, surrealist. Petter, inspired by Ryonen, has just picked up and revived here, in Sitges, the spirit of Cadaqués. Last, “Nude Beach” contains a treasure which is more rare and more precious than “the clear pearls of rain from a distant domain where rain never fell” (“des perles de pluie venues de pays où il ne pleut pas” (Jacques Brel)): the Ryonen’s smile. She is the One.

She is from my home town!! Yippee....

yeah.. I agree with you, just let full of color.. i want to go swimming with you.. ryonen !

it's a wonderful, sensitive and artful film about a lovely girl - congratulation !

I vote for no black & white images. Stay with full color as far as I am concerned!

no, there is no "need" for the effects. but, personally, I think it adds a little...je ne sais quoi

The lighting looked off in this film. Maybe it was deliberate but I do not know whether it works well when it goes darker then suddenly colour is back again. Ryonen speaks for herself. She does not need these effects.

Ryonen is just perfect. There is no other word for her. One thing baffles me though. How can those guys on the beach just ignore her? OK so probably they are gay but even so it just looks so strange to see them taking no notice at all.

Perhaps she does not need the FX Duff but you are missing the point. The idea is to show something like what is going on inside her head while she is walking along the beach like the way her feelings are changing all the time.

The movie style suits her. She looks a kinda dreamy girl to me like she is always thinking of something else.